Nevertheless, the town, including the new council members, shows complete deference and subservience toward her. Her potential marriage to Homer seems increasingly unlikely, despite their continued Sunday ritual. In section II, the narrator describes a time thirty years earlier when Emily resists another official inquiry on behalf of the town leaders, when the townspeople detect a powerful odor emanating from her property.
Her father has just died, and Emily has been abandoned by the man whom the townsfolk believed Emily was to marry. While the narrator obviously admires her tremendously — the use of the word "Grierson" evokes a certain type of aristocratic behavior — the townspeople resent her arrogance and her superiority; longing to place her on a pedestal above everyone else, at the same time they wish to see her dragged down in disgrace.
As new town leaders take over, they make unsuccessful attempts to get Emily to resume payments. We wonder about the values of the narrator.
And yet, for a lover she chooses Homer Barron, a man of the lowest class, and more troubling than his social status is the fact that he is a Yankee.
The more outraged women of the town insist that the Baptist minister talk with Emily. In what becomes an annual ritual, Emily refuses to acknowledge the tax bill. In general, the narrator is sympathetic to Miss Emily, never condemning her actions.
With no offer of marriage in sight, Emily is still single by the time she turns thirty. However, at that point he has been dead for almost a decade. Once we discover that she has poisoned her lover and then slept with his dead body for an untold number of years, we wonder how the narrator can still feel affection for her.
In section V, the narrator describes what happens after Emily dies. With great pride, the narrator asserts that Miss Emily "carried her head high enough — even when we believed that she was fallen. Meeting them at the door, Emily states that her father is not dead, a charade that she keeps up for three days.
Only the servant is seen going in and out of the house. After some time has passed, the door to a sealed upstairs room that had not been opened in forty years is broken down by the townspeople.
Grierson had once lent the community a significant sum. Who, then, is this narrator, who seemingly speaks for the town but simultaneously draws back from it? Do the men remember her with affection? When the druggist asks why she wants poison, she merely stares at him, "her head tilted back in order to look him eye for eye," until he wraps up the poison for her.
The narrator also admires her aristocratic aloofness, especially in her disdain of such common matters as paying taxes or associating with lower-class people. She belongs to the Old South aristocracy, and, consequently, she has special privileges. Table of Contents Plot Overview The story is divided into five sections.
Except for the occasional glimpse of her in the window, nothing is heard from her until her death at age seventy-four. As complaints mount, Judge Stevens, the mayor at the time, decides to have lime sprinkled along the foundation of the Grierson home in the middle of the night.
For example, when Miss Emily requests poison from the druggist, she does so with the same aristocratic haughtiness with which she earlier vanquished the aldermen. The narrator makes judgments both for and against Miss Emily, and also presents outside observations — particularly in Section IV, when we first learn many details about her.
Also, the narrator almost perversely delights in the fact that, at age 30, Miss Emily is still single: Despite the occasional lesson she gives in china painting, her door remains closed to outsiders. They feel that she is forgetting her family pride and becoming involved with a man beneath her station.
She asks her servant, Tobe, to show the men out. Holed up in the house, Emily grows plump and gray. When members of the Board of Aldermen pay her a visit, in the dusty and antiquated parlor, Emily reasserts the fact that she is not required to pay taxes in Jefferson and that the officials should talk to Colonel Sartoris about the matter.
Most critics incorrectly consider the narrator, who uses "we" as though speaking for the entire town, to be young, impressionable, and male; however, on close examination, we realize that the narrator is not young and is never identified as being either male or female.
By using the "we" narrator, Faulkner creates a sense of closeness between readers and his story.Get an answer for 'From what point of view is "A Rose for Emily" told? ' and find homework help for other A Rose for Emily questions at eNotes. Setting, Characterization and Point of View in “A Rose for Emily” “A Rose for Emily” gives the readers the feeling that they are a member Words | 4 Pages Point of View Analysis of “a Rose for Emily” by William Faulkner/5(1).
“Point of View/Atmosphere in ’A Rose for Emily’ ” “A Rose for Emily” is a well thought out short story by William Faulkner published on April 30, This short story is told from the townspeople of Jefferson (first-person) to create a point of view to be able to see from the outside of the situation getting an insight on reality.
Sumeira TaquiMr. Hainline / English February 28, Essay 2 final draftThe Influence of Point of View on a StoryThe beliefs and feelings of a reader about certain characters or events in a story largely depend on who is telling the tale and how it 5/5(1).
A short summary of William Faulkner's A Rose for Emily. This free synopsis covers all the crucial plot points of A Rose for Emily.
How to Write Literary Analysis; How to Cite This SparkNote; Table of Contents; at that point he has been dead for almost a decade. She asks her servant, Tobe, to show the men out. "A Rose for Emily" is a successful story not only because of its intricately complex chronology, but also because of its unique narrative point of view.
Most critics incorrectly consider the narrator, who uses "we" as though speaking for the entire town, to be young, impressionable, and male.Download